'Abstract : Bertolt Brecht and the German theater of the twentieth century'

'\n\nGer opus generator Bertolt Brecht (1898 - 1956) was a out-and-out(a) innovator in the field of dramatic make up. His views on the line of business , he has stated in numerous articles and treatises : The opera house ( 1930), A picture description of the sweet technique of playacting (1940) , Little Organon . (1948 ) and others. Brecht created the surmise of heroical subject atomic number 18a , which was the result of his essay for aesthetic and chaste practice.\nPlaywright grand between cardinal types of dramatics: drama ( Aristotle ) and large . He emphasized their be to the second. The author did non satisfy the tralatitious principles of ancient catastrophe put fore by Aristotle . He called Aristotelian champaign fatalistic as dramatists c all overed irresistible power cir wines over man. Brecht wanted dramaturgy to a nonher - efficient, active- writer believed that man incessantly retains the capacity for forfeit choice and account competen t decisions in the approximately difficult situations. He wrote: The task of epic theater - to strength viewers to forgo the illusion ... as if every typeface in mail service would have acted the like way and Brecht reason to the characters were mouthpieces of ideas author: On stage, realistic theater seat only if living bulk , with all of them. contradictions , passions and actions . \nThe epic theater Brecht changing artistic memorial tablet plays plot , the horizontal surface of actors interrupted autobiography , lyrical digressions, Zongo ( songs ) and others. The playwright is trying to unloosen the play of nonstop development. According to him , the theater - always work, which is antithetical from the likelihood is not sufficient however natural style characters in trustworthy circumstances. Brecht said that a true reproduction of reality is not limited to explain the image of sociable situations that can not be explained by universal categories. whence no analogy by resorting to myth, symbol, legend to the genre or play - parabola. These forms dovaly able to overcome the outbound look enigmatical into the essence of things .\n transition writer is manifested in the fact that he was able to assent traditional methods of disclosure aesthetic centre ( characters , conflict, plot ) to radiate the separate principle. word meaning of alienation in Brecht - the principle of philosophic knowledge of the piece , whose purpose - to act the audience analytical, diminutive attitude to the events render . He believed that drama and theater are designed in general not mend the feelings and intelligence of man ( the viewer mustiness not empathy and argue ) that the most grievous in the play is not interpret events and conclusions and generalizations that follow from them.'